Your guide to Philly's diverse creative scene, nightlife, music, food & more
In honor of Jeff Bradshaw's album Bone Appétit dropping today, we thought we'd do an "On The Reel" video pick with two of his videos.
First up, his single "Got Til It’s Gone" featuring soulstress and Philly 360˚ Creative Ambassador Marsha Ambrosius.
And, our Music Insider Laiya St. Clair caught up with Jeff when he was on the set of one of his music videos to ask him, "What is it about Philly?"
Check out both videos below.
As you may know, our friends at uwishunu.com launched a video series called Philly 101. They've been creating 101 videos with notable Philadelphians asking them what they wish people knew about the city.
Today's Philly 101 spotlight is with our very own Fashion Ambassador and Insider Rakia Reynolds! Uwishunu stepped into her boutique PR firm, Skai Blue Media, which is also the home of her soon-to-be-unveiled Skai Blue Show fashion showroom.
Watch the video to see what this fashionista wishes you knew about Philly.
We caught up with actress Kerry Washington when she was in Philly promoting a film that was shot here. Since her new show ABC's Scandal is airing on tonight, we thought it'd be good to press rewind on this video.
See where Kerry goes when she's in Philly.
On Monday night in University City, a sold-out crowd of Philadelphia cinephiles had the good fortune of previewing Thunder Soul: The True Story of Conrad Johnson & The Kashmere Stage Band at the Rave Theater. The film, a moving and lovingly-executed documentary, tells the story of Conrad “Prof” Johnson and one of the greatest funk ensembles ever assembled, which was comprised of 38 musicians who released 8 records—all while in high school.
From 1968 to 1977, the Kashmere High School Stage Band, nicknamed “The Thunder Soul,” won a record number of titles in numerous competitions, often breaking the color barrier, for their innovative funk arrangements. They made history when they won the top honors at the prestigious All-American High School Stage Band Festival amidst an atmosphere of racial hostility. Johnson’s goal was to use music to raise the morale of the young people he taught at Kashmere High School in Houston, Texas’ Fifth Ward.
Johnson had been a professional musician in the big bands of the 1940s. He was a go-to saxophone player in Houston. After marrying and starting a family, he wanted to stay close to the nest and made a decision to enter teaching. Johnson joined the faculty at Kashmere in the 1960s. He willed the energy of the young people from twiddling their thumbs and getting involved in potential street nonsense and directed them into expressing themselves creatively, which ultimately had a positive effect on the entire school. Training in the band gave the students discipline that they carried with them into their adult lives. When they return to form an alumni ensemble for a reunion concert, they are all thriving and model citizens—doctors, lawyers, and teachers.
Prof recorded the band each year and was a father figure to most members. He had strict discipline and rehearsed them like professional musicians. They played gigs—bar mitzvahs, proms, etc.—to raise the money to keep the program going. They weren’t the marching band. Johnson realized he needed to harness the energy of the kids who would unwind by playing funk tracks instead of practicing the de rigueur rigidly arranged jazz compositions from the 1930s and 1940s. Prof, in his 50s at the time, wondered what this music was that they were playing.
“He was interested in their personal expression,” says Mark Landsman, the film’s director.
Thunder Soul had its premiere at the 2010 SXSW Film Festival. Landsman first heard about the band on NPR after Stones Throw Records released Texas Thunder Soul in 2006. He recalls hearing a “wall of funk” and was blown away. He couldn’t believe they were high school students and set out to find them. Landsman googled every Conrad Johnson he could find and started calling them. The first one he called turned out to be Prof’s son. Initially he thought about a fictional film until he heard about the reunion that was being planned by some of his former students. Over 30 of the students come back to Houston 35 years later, from all over the world, and reunite to do a tribute concert. Still fly at 92 years old when the film was shot in 2008, Johnson appears beatific and sanguine and one can almost feel the love his students have for him.
Oscar-winning actor Jamie Foxx signed on as executive producer in part inspired by his own high school music education. In an interview in the NY Daily News he says that music education played a big part in preparing him for his career.
“It’s a right to have access to music education. It’s part of our national legacy,” Landsman said in an interview with PBS.
At the first rehearsal the band is a bit rusty—will they do it? Will they be able to live up to Prof’s legacy? You have to see the film to find out.
Check out the trailer here.
The Battle of The Canvas is creeping up on us, so I wanted to take a minute to catch up with the brains behind the project, Simone Banks. I’ve known Simone for a bit now as a colleague, a fellow event planner and promoter. I’ve had the pleasure of working with her on a number of projects over the years, and she’s a powerhouse that you’ll definitely want to watch out for.
Insider tip: Battle of The Canvas is on August 27 at The Piazza in Northern Liberties. There will be vendors (including me), live art, performances and more! Save the date and spend the day with us—It’s FREE!
Flygirrl: Tell the people who you are and what you do.
Simone: My name is Simone J. Banks, aka Moni Mone. I am a writer, curator, art administrator, art enthusiast, manager and a tangible dreamer. I do most of my artistic work under the collective, Authentic. I also manage a visual artist, Frances Bradley, and DJ shErOck out of New York. Under my collective, I work closely with visual artists, poets and musicians/DJs to produce events that are innovative, but better yet, creatively invading. And, when I say invading, I like to produce avant-garde events that bring a new sense of experiencing 'the arts.’ What is often not seen or heard is where I like to reside and plan my invasion. Most recently, I graduated with my Masters in Art Administration from Drexel University where my passion grew in areas dealing with accessibility of the arts and bringing art to the people, primarily underrepresented groups of people. My degree has given me access to a lot of information, both positive and not so positive, regarding these topics, yet with my findings derived the Battle of the Canvas. This project is my baby, as it combines all that I love and my new-found passions. I am presenting an artistic experience, from beginning to end to the public for free. It is all about the opportunity to get personal with visual artists competing and musicians who will be setting the backdrop to the competition. This is where I feel art belongs and is for us.
Flygirrl: What made you decide to create Battle of The Canvas?
Simone: The Battle of the Canvas is a project that I always had jotted down in my diary, just no title attached to it yet. I have written many papers on the concept of engagement and inclusiveness within the arts and culture scene in Philadelphia and felt like this would be a great start to implementing my frustrations. The scene here is layered and if you are not represented by an agent, gallery, exhibiting your work or booking gigs...you are often overlooked. It was my desire to create a platform for visual artists and musicians to be seen and heard. Their talents are documented first-hand by viewers themselves. The intimacy is intense when engaging with an artist about their work and the Battle of the Canvas allows that to happen freely. The experience is open and encouraged for all who attend. This is a project that has a public purpose and the artists involved understand the concept of extending themselves to audiences they wouldn't have considered or had access to otherwise.
Flygirrl: What do you hope people take away from Battle of The Canvas?
Simone: My desire for all who will attend the Battle of the Canvas is that they take away the unique experience itself. It's outside in August, lots of artistic stimulation in the air, food, drink and people to network and vibe with. It's perfect, really, if you are encouraged by creativity and witnessing a process from beginning to end.
Flygirrl: This year seems much bigger than last year. What are the upgrades and why?
Simone: After the event last year, the response and suggestions given to me on how the event could involve more than simply a painting atmosphere encouraged me to go after The Piazza, where the space available would allow for all that I wanted the BOC to be. More importantly, The Piazza allows me to reach an incredibly large amount of people at one time while exposing the artists who are a part of the event. The Piazza has allowed me to plan for creative vendors, a Kids Corner for their own mini arts festival, lots of space for the artists to paint, musicians to perform on stage in front of a large and diverse audience and sponsors to be greatly visible. In addition to that, I've had a great response from the businesses within The Piazza. PYT and Gunner's Run will provide a beer garden and supply discounts on food and drinks for everyone coming to the Battle of the Canvas. This event has been welcomed from so many and the support has been endless. The upgrades came naturally, honestly. People have been waiting for an event like this and to attach themselves to a project they see longevity in and believe in.
Flygirrl: What does the future of Battle of the Canvas look like?
Simone: It looks quite bright! I have already been in conversations with other city entities to bring the project there. However, it is important to me that it is always in Philadelphia. This is where the project has come alive and I want to always host one in Philly. I'd love to have a traveling Battle of the Canvas--artists, musicians, photographers, and the BOC team on the road exposing talent in other cities on a fun, competitive basis. But, for right now I really want to continue hosting the event, building on the concept and brand and perfecting the execution and getting more corporate support behind the project.
Flygirrl: You do a lot of things and wear many hats. What is your truest passion?
Simone: Res said it best, "to get inside this head of mine would take a monkey wrench and a lot of wine." {laughs} I do wear a lot of hats. But, I can honestly say that I know every fit and color. I'm a perfectionist, so I take my time with the things that I put my name on. I also require a lot, so I give more than expected. My passion lies within art and the presentation of that artwork being accessible to the public or whomever wants to experience it without a feeling of intimidation or barriers of cost being an issue. Art is freedom and there is freedom in art. My passion is to expose that and allow it to be felt by everyone.
Flygirrl: Where can people find you and everything you're doing?
Simone: You can discover all that I create via http://monimonecreates.tumblr.com.
You can "like" the Battle of the Canvas on Facebook.
You can follow all the updates on Twitter (@theBOCphilly or @be_authentic).
And, to be a vendor or volunteer, click here.
One of the most make-or-break-a-look accessories you can have is your hair, and in Philly, we make sure that we look good from hair to toe. Philly salons take natural beauties, relaxed divas and ladies with locks to the next level of hair heaven.
Here's a listing of some of our top Philly salon picks. And, make sure you check out our Trends In Tresses videos below to see where to go to become a naturalista, straightenista and extensionista.
Salon Tenshi
537 N. 10th Street
This is one of our Fashion Insider's picks for where to go if you're looking to become a straightenista.
Our fashion insider Rakia Reynolds talked to some of the city's hottest stylists about texture, tresses and more. Watch the videos to see how to be a Naturalista, Straightenista and Extensionista - Philly 360 style.
Meet our new film and media insider, Maori Karmael Holmes.
Maori was born in Los Angeles and got her start in the music industry by selling Lionel Richie promotional flats from the front steps of her apartment building in West Hollywood at age seven. She later interned at Dallas Austin’s Rowdy Records while in high school and then went on to become a college marketing representative for Sony Music while attending American University in Washington, DC.
Maori got her start in journalism as an arts and culture writer for The Washington City Paper, where she also worked as an editorial assistant, before moving to Philadelphia in 2001 to attend Temple University. She has written for numerous publications including Alternet.org, Savoy Magazine, Trace, Philadelphia Style, Philadelphia City Paper, Philadelphia Weekly, and Blackamericaweb.com.
Maori graduated from Temple with an MFA in Film & Media Arts in January 2005. A few of her most notable projects are the music video “Funky Feeling”, which aired on BET-Jazz and VH1-Soul, and the award-winning documentary Scene Not Heard: Women in Philadelphia Hip-Hop. Maori was the founding artistic director of the Black Lily Film & Music Festival. She currently works with Coolhunter Management and serves as Communications Director at the Leeway Foundation.
Our Music Insider Laiya went behind the scenes with The Roots, Eddie Levert of The O'Jays and Shawn Stockman of Boyz II Men to capture some of the rehearsal for Wawa Welcome America's Fourth of July Jam.
Check out Questlove, Captain Kirk and James Poyser of The Roots, along with Eddie Levert and Shawn Stockman, as they go through the process of collaborating.
Watch the behind the scenes footage below.
Attention fashion fanatics looking for the hottest summer looks! Philly 360 Fashion Insider Rakia was spotted giving a few ladies some fresh summer makeovers.
Rakia took them all over Philly for their makeovers, including Salon Tenshi, Tenshi Beauty Bar, Shanu Designs, Bus Stop Boutique, Lost + Found, Third Street Habit and Franklin Square Boutique.
Watch all three segments to see the style transformations.
Gospel music emerged from the hardships and triumphs of the African American community and became the foundation for almost every American-born style of music including our moody blues tunes, defiant rock ballads and even our Philly soul anthems.
Rejoice and Shoutis a vibrant and insightful documentary that explores the importance of this great American treasure.
The documentary is packed with rare audio and film clips of soul-stirring gospel music, some of which dates back to the last century. The film literally explodes with moving performances by gospel legends like Shirley Caesar and the Caravans, Mavis Staples, The Dixie Hummingbirds, Mahalia Jackson and so many other inspiring vocalists who effortlessly leap from the screen and pull the film’s audiences right into the middle of the emotion and passion of their songs. “When I’m feeling down, I find myself listening to gospel music, cause it lifts me up,” notes the film’s gospel historian Bill Carpenter. “How can I stay down, when I’m hearing such great music?”
Philly makes a cameo in this film, as Willa Ward of the Ward Singers and Ira Tucker of the Dixie Hummingbirds revisit their former stomping-ground, The Metropolitan Opera House on North Broad Street. Both singers reminisce about performing in the now-renovated venue as they watch video footage of their performances in front of packed houses of African Americans dressed in their Sunday’s finest. During her interview Willa Ward even recalls, “Mahalia Jackson could do your hair and it would last for three weeks.”
Another standout segment of this film was the knockout performance by The Swan Silvertones during the Newport Jazz Festival in the 1950’s. The Silvertones’ lead singer Claude Jeter was a pioneer of the now iconic male “falsetto” sound that is a signature of many contemporary male vocalists, including Ronald Isley, Maxwell and Bilal.
Check out the video below to see Jeter’s smooth and calculated performance of the gospel hit, Only Believe.
Rejoice and Shout is an instant classic infused with lively and uplifting music and rich with the stories and heart of gospel music. You’ll definitely want to take a trip to the Ritz at the Bourse this weekend and see for yourself!
Check out the movie’s trailer for a sneak peek.